Azadeh Elmizadeh
Exhibitions
Soft Hardware
September 16 to October 31, 2026
Timekeepers (solo)
March 22 to April 19, 2025
Sister Seeds (solo)
October 17 to November 15, 2022
Halcyon and on and on
July 30 to August 28, 2021
Subtle Bodies (solo)
October 16 to November 14, 2020
Fairs
Art Basel Miami Beach (solo)
December 3 to 7, 2025
Plural
April 11 to 13, 2025
NADA New York
May 2 to 5, 2024
Plural
April 12 to 14, 2024
Art Toronto
October 26 to October 29, 2023
Frieze London (solo)
October 11 to 15, 2023
NADA Miami
November 30 to December 3, 2022
Art Toronto
October 27 to 30, 2022
Art Toronto
October 29 to 31, 2021
The Armory Show
September 9 to 12, 2021
Papier (solo)
April 25 to 29, 2019
Exhibitions
Soft Hardware
September 16 to October 31, 2026
Timekeepers (solo)
March 22 to April 19, 2025
Sister Seeds (solo)
October 17 to November 15, 2022
Halcyon and on and on
July 30 to August 28, 2021
Subtle Bodies (solo)
October 16 to November 14, 2020
Fairs
Art Basel Miami Beach (solo)
December 3 to 7, 2025
Plural
April 11 to 13, 2025
NADA New York
May 2 to 5, 2024
Plural
April 12 to 14, 2024
Art Toronto
October 26 to October 29, 2023
Frieze London (solo)
October 11 to 15, 2023
NADA Miami
November 30 to December 3, 2022
Art Toronto
October 27 to 30, 2022
Art Toronto
October 29 to 31, 2021
The Armory Show
September 9 to 12, 2021
Papier (solo)
April 25 to 29, 2019
‘Wild Tongues of Fire: The Right to Remain Untranslatable’
Mehrnoosh Alborzi, Esse, September 2026
‘Undoing the Icon: Denial and De-Figuration in “MADONNA”’
Divine Angubua, Liminul, 2025
‘Sun Over Swamp explores the abstract aesthetics of ‘vast and complex lifeworlds’’
Julie Chadwick, The Discourse, April 23, 2024
‘Pick of the Week: “The Inexpressible is Contained”’
Estelle Araya, Artillery Magazine, September 20, 2023
‘Your Concise Guide to Miami Art Week’
Valentina Di Liscia, Hyperallergic, November 28, 2022
‘Fall Arts Preview 2022’
Robb Jamieson, Elle, November 10, 2022
‘What to See in Toronto this October’
Charlene K. Lau, Frieze, October 3, 2022
‘Azadeh Elmizadeh, A Humdred Times, Why?’
Tammer El-Sheikh, Blackflash, January 27, 2022
‘Azadeh Elmizadeh’
Jayne Wilkinson, Canadian Art, December 10, 2020
‘Azadeh Elmizadeh’s Subtle Bodies’
Tatum Dooley, Editorial Magazine, November 18, 2020
‘Seven art exhibitions to catch this fall across Ontario’
Rosie Prata, The Globe and Mail, October 23, 2020
Mehrnoosh Alborzi, Esse, September 2026
‘Undoing the Icon: Denial and De-Figuration in “MADONNA”’
Divine Angubua, Liminul, 2025
‘Sun Over Swamp explores the abstract aesthetics of ‘vast and complex lifeworlds’’
Julie Chadwick, The Discourse, April 23, 2024
‘Pick of the Week: “The Inexpressible is Contained”’
Estelle Araya, Artillery Magazine, September 20, 2023
‘Your Concise Guide to Miami Art Week’
Valentina Di Liscia, Hyperallergic, November 28, 2022
‘Fall Arts Preview 2022’
Robb Jamieson, Elle, November 10, 2022
‘What to See in Toronto this October’
Charlene K. Lau, Frieze, October 3, 2022
‘Azadeh Elmizadeh, A Humdred Times, Why?’
Tammer El-Sheikh, Blackflash, January 27, 2022
‘Azadeh Elmizadeh’
Jayne Wilkinson, Canadian Art, December 10, 2020
‘Azadeh Elmizadeh’s Subtle Bodies’
Tatum Dooley, Editorial Magazine, November 18, 2020
‘Seven art exhibitions to catch this fall across Ontario’
Rosie Prata, The Globe and Mail, October 23, 2020
