Lotus L. Kang

Exhibitions
The Shape of a City
January 9 - February 8, 2025

Mesoderm (solo)
May 27 - June 24, 2023

Seep State
January 14 - February 18, 2023

Trip Like I Do
January 21 - February 19, 2022

Mist, Foam, Drainage Ditch
March 2 - April 3, 2021

Her Own Devices (solo)
June 29 - July 18, 2020

Dig Your Own Hole
February 7 - February 29, 2020

Line Litter (solo)
January 12 - February 4, 2017


Fairs
Plural
April 11 - 13, 2025

Art Toronto
October 24 - 27, 2024

Frieze London (solo)
October 9 - 13, 2024

NADA New York
May 2 - 5, 2024

Art Toronto
October 26 - 29, 2023

Art Toronto
October 27 - 30, 2022

The Armory Show
September 9 - 12, 2021

Papier
June 1 - June 21, 2020

NADA FAIR
May 20 - June 21, 2020

DAMA (solo)
October 30 - November 3, 2019

Art Toronto
October 25 - October 27, 2019

NADA House (solo)
May 2 - August 4, 2019

NADA Miami (solo)
December 6 - December 9, 2018

Art Toronto
October 27 - October 30, 2017

‘How Poetry Inspired Artist Lotus L. Kang’s Uninhabitable Greenhouse at 52 Walker’
Drew Zeiba, Interview Magazine, May 28, 2025

‘Lotus L. Kang’s Hopeful Doom Scrolling’
Danielle Wu, Hyperallergic, May 28, 2025

‘Lotus L. Kang on Channeling Poetry, Memory, and Spirits Into Her New Work’ 
J. Cabelle Ahn, Artnet, May 21, 2025

‘Leaky Fractals’ 
Phillip Pyle, Family Style, May 2, 2025

‘6 Under-the-Radar Art Shows to See in New York Right Now—and 3 to Look Forward To’
Lisa Wong Macabasco, Vogue, April 29, 2025

‘The Liminal Words of Lotus L. Kang’ 
Simon Wu, Frieze, April 23, 2025

‘Here Are the 12 Must-See Gallery Exhibitions in New York This Spring’
Stephanie Wong, Cultured, April 14, 2025

‘The New York Shows You Need to See this Spring’
Sam Falb, Elephant, April 4, 2025

‘Ten Artists to Watch in 2025’
Frieze, January 7, 2025

‘The artists other artists are excited about for 2025’
Chris Dart, CBC Arts, December 18, 2024

‘The Breakout Stars of 2024’
Maya Salam, The New York Times, December 16, 2024

‘Lotus L. Kang’s “Azaleas”’
Sigourney Schultz, Asia Art Pacific, October 22, 2024

‘Lotus L. Kang’s “Azaleas” Commonwealth and Council / Los Angeles’
Diana SeoHyung, Flash Art, October 21, 2024

‘Xue Tan’s Top Picks from Frieze Viewing Room’
Xue Tan, Frieze, October 8, 2024

‘The alchemies of artist Lotus L. Kang’
Duncan Ballantyne-Way, Art Basel, July 10, 2024

‘Is It Real? Yes, It Is!’
Xenia Benivolski, Texte Zur Kunst, June 21, 2024

‘Lotus L. Kang Explores Symbols of the Human Body in Her Latest Sculpture’ 
Najman Eno, S Magazine, June 3, 2024

‘Whitney Biennial’
Rachel Wetzler, Artforum, Summer 2024, Vol, 62, No. 10

‘Toronto’s Artists Respond to a City in Flux’
Xenia Benivolski, Frieze, April 23, 2024

‘A Whitney Biennial with No Heroes and No Villains’
Emily Watlinton, Art in America, March 26, 2024

‘The 2024 Whitney Biennial Is a Romp Through Turmoil and Abstraction’
Nadja Sayej, Observer, March 18, 2024

‘At the Whitney Biennial: Reaching for Utopia, Without Protests’
Vittoria Benzine, Brooklyn Magazine, March 18, 2024

‘A superb Whitney Biennial, marred by flimsy politics’
Sebastian Smee, Washington Post, March 16, 2024

‘8 Breakout Artists of the 2024 Whitney Biennial’
Annabel Keenan, Artsy, March 14, 2024

‘Dozens of Artists, 3 Critics: Who’s Afraid of the Whitney Biennial 2024?’
Jason Farago, New York Times, March 13, 2024

‘A Blazing, Brilliant Whitney Biennial Heralds a New Kind of Body Art’
Alex Greenberger, ARTnews, March 13, 2024

‘Unpack/Reveal/Unleash: At First Blush’
Alex Bennett, Flash Art, February 1, 2024

‘Sacks and Skins, Or a Bag Full of Holes’
Summer Kim Lee, Asia Art Archive, October 13, 2023

‘Material Matters: Interview with Lotus Laurie Kang’
Sarah Chang, Art Asia Pacific, July 31, 2023

‘Lotus Laurie Kang: In Cascades’
Ellen Mara De Wachter, Art Monthly, July / August 2023, No. 468

‘Seven Leading Curators Predict the Defining Art Trends of 2023’
Ayanna Dozier, Artsy, January 30, 2023

‘Best of 2022: Five artworks that wormed into my brain and stayed months’
Deborah Vankin, LA Times, December 4, 2022

‘Photographer Laurie Kang Ditches the Image, Turning Her Medium Into a Material’
Emily Watlington, Art in America, May 11, 2022

‘How artist Laurie Kang 'misuses' material to create tactile, carnal installations’
Deborah Vankin, LA Times, April 4, 2022

‘Under the Skin of Newness’
Domenick Ammirati, Artforum, January 2022, Vol. 60, No. 5

‘New Museum Triennial Takes a Subtle Turn’
Vivian Chui, Ocula Magazine, November 17, 2021

‘8 Standouts at the 2021 New Museum Triennial’
Alex Greenberger, ARTnews, October 27, 2021

‘Evolutionary Images and the Embodied Archive’
Candice Hopkins,  Camera Austria, 2021

‘Carriers for Fiction’
Alexandra Symons Sutcliffe, Mousse Magazine, July 5, 2021

‘Her Own Devices’
Esmé Hogeveen,  Brooklyn Rail, July / August 2020

‘In Practice: Total Disbelief’
Carlos Kong, Flash Art, March 11, 2020

‘Laurie Kang, Beolle’
Magdalyn Asimakis, Art Papers, March 11, 2020

‘Laurie Kang at Oakville Galleries’
Dan Adler, Artforum, March 2020, Vol. 58, No. 7

‘Formula 1: A Loud, Low Hum at Cue Art Foundation’
Etty Yaniv, Artspiel, May 22, 2019

‘Escaping the Neo-Conceptualist Bubble’
Thomas Micchelli, Hyperallergic, May 4, 2019

‘A Body Knots’
Jenine Marsh, Peripheral Review, November 28, 2018

‘Get pulled inside as artist Laurie Kang asks you to unhinge yourself from your body’
Casey Mecija, CBC Arts, May 22, 2018

‘Four Pillars’
Nathalie Agonstini, Anniversary Magazine, 2018

‘Four Pillars’
Olivia Whittick, The Editorial Magazine, March 17, 2018

‘Four Pillars’
James D. Campbell, Whitehot Magazine, February 2018

‘How Deep is Your Love?’
Alex Bowron, Esse, Winter 2018, No. 92

‘At the galleries: of tanks, transparency and women’
Murray White, Toronto Star, January 26, 2017

‘Line Litter’
Darby Milbrath, The Editorial Magazine, January 25, 2017

‘Laurie Kang: Deferring Diffractions’
Shelby Fenlon, C Magazine, September 1, 2015, Issue 127

‘The Contemporary Erotics of Laurie Kang’
Alex Bowron, Momus, February 24, 2015

‘In the Studio: Laurie Kang’
Jess Carroll, The Editorial Magazine, February 27, 2015