PAUL KAJANDER

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Paul Kajander
b. Vancouver, Canada
Lives and works in Toronto, Canada


Education
2007 MFA, University of British Columbia, Vancouver
2004 BFA, Simon Fraser University, Vancouver
2002 Film History and Museology Studies, UEA, Norwich, UK
2001 Concordia University, Department of Art Education, Montréal


Solo & Two Person Exhibitions
2019 maximum suffering along the way, Franz Kaka, Toronto (as HaeAhn Paul Kwon Kajander)
2019 Public Volumes, Small Arms Inspection Building, Mississauga (as HaeAhn Paul Kwon Kajander)
2017 Blink Shock Blood Shot, Franz Kaka, Toronto
2014 All Beneath the Moon Decays (with Allyson Vieira), Daniel Faria Gallery, Toronto


Select Group Exhibitions
2019 Barely Fair, Julius Caesar, Chicago (as HaeAhn Paul Kwon Kajander)
2019 Gallery Galerie Galería, Jack Barrett Gallery, New York (as HaeAhn Paul Kwon Kajander)
2018 Lojong Exercises, Kikospace, Toronto (as HaeAhn Paul Kwon Kajander)
2017 Dust is Dancing, Forest City Gallery, London, Ontario
2017 Dust is Dancing, Modern Fuel Artist Run Centre, Kingston
2016 Pleasure Faire, (organized by Brian Mann), Michael Benevento, Los Angeles
2015 Untitled (But Unnamed), New Media Society, Vancouver
2015 All The Instruments Agree, The Hammer Museum, UCLA, Los Angeles
2015 Through A Window: Visual Art & SFU 1965-2015, Audain Gallery, Simon Fraser University, Vancouver
2014 Universal Studios, Seoul Museum of Art, Seoul
2013 What Cannot Be is What, Banner Project, Art Sonje Center, Seoul
2013 Dimensions Variable, Museum of Modern & Contemporary Art, International Residency Exhibition, Seoul
2013 The Real DMZ Project, Cheorwon-gun & Art Sonje Center, Seoul
2013 Stock’s Room, Project Broom Gallery, Seoul
2011 Rehearsal Research, Western Front, Vancouver
2011 Ron Tran: It knows not what it is, Charles H. Scott Gallery, Vancouver
2010 Sunday is the New Saturday, Every Letter In the Alphabet, Vancouver
2010 Funny Business, Gallery Atsui, Vancouver
2009 Black Hole is Also Supernova, Richmond Art Gallery, Richmond, BC
2008 Everything should be made as simple as possible, but not simpler, Western Front, Vancouver
2008 The Silence of Infinite Space, Glendale College Art Gallery, Los Angeles
2007 Sendai Contemporary Art Network: Light and City, Shiogama
2007 Green, Morris and Helen Belkin Art Gallery, Vancouver
2006 Since Before and After, SFU School for the Contemporary Arts, Vancouver
2006 Oh, What a Blow That Phantom Gave Me!, Belkin Satellite, Vancouver
2005 Anxiety of Influence: New Wight Biennial, UCLA, Los Angeles


Screenings & Special Projects
2014 Composer & Sound Effects Producer for Isabelle Pauwels's «,000,»; Experimental Media and Performing Arts Center, Rensselaer Polytechnic, Troy, New York
2014 Life’s Work: Experimental Documentaries, Montréal Underground Film Festival
2012 The Beacon for which We Long at Nautical Dusk and Dawn, Festival of Fringe Film, Durham, Ontario


Press
2019 Ben Shannon, ‘In Conversation’, www.residenceeditions.co
2014 Caoimhe Morgan-Feir, ‘Top 3 of 2014: Time Travels’, Canadian Art
2014 Jae-un Lim, ‘Canadian Artist residing in Seoul, Paul Kajander’, korea.net
2014 Caoimhe Morgan-Feir, ‘All Beneath the Moon Decays’, Frieze Magazine
2014 Britt Gallpen, ‘All Beneath the Moon Decays’, Drain Magazine
2014 Fran Schechter, ‘It’s Greek to Them’, Toronto Now
2014 Woo-young Lee, ‘Korea seen through eyes of foreign artists’, The Korea Herald
2014 Sun-Min Lee, ‘Art exhibit portrays Korea through foreign eyes’, Korea JoongAng Daily
2013 Shelley DeWees, 'Paul Kajander and the DMZ Project’, Groove Magazine
2013 Maria Lind, ‘Can a show about the real world be too close to the real world?’, Art Review
2013 Sun-Min Lee, ‘Exhibition paints new picture of life on the line’, Korea JoongAng Daily
2013 Woo-young Lee, ‘Art questions what DMZ means to Koreans', The Korea Herald
2013 Ines Min, ‘Examining the Real DMZ Through Art’, Blouin Art Info
2011 Allison Collins, ‘Three Unfinished Actions at Western Front’, Art Slant
2009 Vanessa Kwan, ‘Black Hole is Also Supernova, I Found This: A Partial Conversation’, Richmond Art Gallery
2007 Aya Takada, ‘Spectacle in Video’, Sendai Contemporary Art Network
2005 Vishal Jugdeo, ‘Live and Loud’, UCLA New Wight Biennial


Writing
2014 ‘Maybe Not, Forever: Interview with Kim Beom’, Millions Magazine
2013 ‘Correspondence: Interview with Isabelle Pauwels’, Isabelle Pauwels monograph, Presentation House Gallery
2009 ‘Words From Vancouver’, Exhibition Catalogue, Transcontinental Divide, HPG ARC
2009 ‘Square Configuration (Decorum) Study’, Vishal Jugdeo Exhibition Essay, HPG ARC


Artist Talks & Workshops
2015 In Conversation with Kim Beom, Contemporary Art Gallery, Vancouver
2014 Visiting Artist: Korean National University of the Arts, Visiting Artist
2014 What You Believe Is What You Say, Artist Talk with HaeAhn Kwon and Jung-hyun Kim, Art Sonje Center
2014 Silence and Slow Time, artist talk, Daniel Faria Gallery, Toronto
2014 Now that there is nowhere, lecture performance with Luuk Schroder, Seoul Museum of Art, South Korea
2013 Semiology & Structuralism Across Disciplines, Special Lecture, Hankuk University of Foreign Studies
2009 In Conversation: Colleen Brown & Paul Kajander, moderated by Vanessa Kwan, Fillip, Vancouver
2009 Visiting Curator: Undergraduate Studio Visits, School for the Contemporary Arts, Simon Fraser University, Vancouver
2008 Juror: Chester Fields Photo Contest, Presentation House Gallery, Vancouver


Awards & Residencies
2017 Canada Council for the Arts Project Grant for Visual Artists
2015 Canada Council for the Arts Project Grant for Visual Artists
2013 National Museum of Modern & Contemporary Art, International Residency Program, Changdong, Seoul
2012 Guesthaus, Artist in Residence, Los Angeles
2012 BC Arts Council Project Assistance for Visual Artists
2010 Theatre of Erosion, The Banff Centre, Alberta (Lead Artist: Geoffrey Farmer)
2010 Rehearsal Research, Western Front, UBC & Scotiabank Dance Centre, Vancouver
2007 BC Binning Drawing Fellowship, UBC






LAURIE KANG

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Laurie Kang
b. Toronto, Canada
Lives and works in Toronto, Canada


Education
2015  MFA, Milton Avery School of the Arts at Bard College, New York
2008  BFA, Photography, Concordia University, Montreal


Solo & Two Person Exhibitions
2020  Her Own Devices, Franz Kaka, Toronto
2019  Eidetic Tides, Southern Alberta Art Gallery, Lethbridge
2019  Beolle, Oakville Galleries, Oakville
2018  Channeller, Interstate Projects, Brooklyn
2018  Fascia Lines (with Katie Lyle), Projet Pangee, Montreal
2018  A Body Knots, TPW Gallery, Toronto
2018  Blue Ferment (collaboration with Yaniya Lee), The Table, Toronto
2018  255.155.2612 (with Santiago Taccetti), Rupert, Vilnius
2017  In a State of Alterity (with Edit Oderbolz), Painel Gallery, Porto
2017  Line Litter, Franz Kaka, Toronto
2016  Nesticulations (with Martha Tuttle), In Limbo, Brooklyn, NY
2016  Becoming (with Ben Foch), LVL3 Gallery, Chicago
2015  The C is Always Coming, Raster Gallery, Warsaw, Poland
2015  Deferring Diffractions, 8-11 Gallery (as a part of Villa Toronto), Toronto
2013  (Untitled), Erin Stump Projects, Toronto


Select Group Exhibitions
2020  Dig Your Own Hole, 291 Ten Eyck, Brooklyn
2020  In Practice: Total Disbelief, Sculpture Center, New York
2020  Other Life-Formings, Blackwood Gallery, Mississauga
2019  Material Hiatus, Carl Louie, Los Angeles
2019  If I have a body, Remai Modern, Saskatoon
2019  Gestures of Comfort, Galerie Antoine Ertaskiran, Montreal
2019  NADA House, (presented by Franz Kaka), Governors Island, New York
2019 Formula 1: A Loud, Low Hum, CUE Art Foundation, New York
2018  Reading, Again, The Jackman Humanities Institute, Toronto
2018  Last Utterance for the Citizen King, Main Street, Toronto
2018  Four Pillars, L’inconnue, Montreal
2017  Built Like a Memory, Tag Team Studio, Bergen, Norway
2017  Commuter's Digest, Main Street, Toronto
2017  How Deep is Your Love? (organized by Jenine Marsh), Cooper Cole, Toronto
2017  Homestead, Carl Louie, London Ontario
2017  Dust is Dancing, Forest City Gallery, London Ontario
2017  The Earth is a Trampled Garden (organized by Bryce Grates), 269 Kosciuszko, Brooklyn
2017  2nd Kamias Triennial, Quezon City, Philippines
2016  APEC, Ludlow 67, New York
2016  Chroma Lives, organized by Erin Alexa Freedman and Lili Huston-Herterich, Yorkville Plaza, Toronto
2016  Stoneroses 4 (hosted by Minibar),Vårberg Sweden
2016  Labor Relations (curated by Sylwia Serafinowicz), Wroclaw Contemporary Museum, Wroclaw
2016  Babble On, collaboration with Nadia Belerique and Lili Huston-Herterich, Rockaway Topless, New York
2016  Comfort Zone, The Loon, Toronto
2016  Shifting Subjecthoods, Torrance Shipman Gallery, New York
2015  The Mouth Holds the Tongue, collaborative exhibition with Nadia Belerique and Lili Huston-Herterich (curated by Julia Paoli), The Power Plant Gallery, Toronto
2015  Summertime in Paris: Spectiveretro, Parisian Laundry, Montreal
2015  Brain Jail, collaboration with Nadia Belerique and Lili Huston-Herterich, Jr. Projects, Toronto
2015  Wayward, Winsor Gallery, Vancouver
2015  Five Successive Blows by a Gigantic Fist, CK2 Gallery, Montreal
2014  Cut Fold Rewrite, Feldbuschwiesner, Berlin
2014  Dans Cinquante Ans D'ici, Les Territoires (curated by Niekolaas Johannes Lekkerkerk) Montreal
2013  Sculpture: Photography as Material Collision, Camera Austria, Graz
2013  More Than Two (Let It Make Itself), The Power Plant Gallery, Toronto
2013  All of a sudden..., Platform Gallery, Winnipeg
2013  BLOG REBLOG, Signal Gallery, New York
2013  The Kitchen, Soi Fischer, Toronto
2013  All That Once Was Will Never Be Again, Gallery 295, Vancouver
2011  Proof 19, Gallery 44, Toronto
2011  The Gatherer, Erin Stump Projects, Toronto


Publications as Author
2018  Jade Windscreen Powder: Sympoietic Tissue Sludge Compostition, collaborative  visual text with Tiziana La Melia, Public Journal
2018  A Body Knots, conversation with Martha Kenney and Daniella Sanader published by Gallery TPW in conjunction with exhibition
2017  Asteroids & Asterisms, interview with Martha Tuttle and Mariana Garibay Raeke
2017  Guttersnipes, text for Nadia Belerique and Jenine Marsh at Vie D’ange, Montreal
2017  Feministry is Here, text work for exhibition, Mercer Union, Toronto
2016  The Capilano Review, Issue 15, collaborative collage with Tiziana La Melia
2016  Padded Leak, Video project in collaboration with Tiziana La Melia for inaugural issue of MICE Magazine
2015  Murder Mystery, Visual support for collaborative project by Rosa Aiello, Tess Edmonson, Danielle St-Amour, Vienna and New York
2013  Entangles, with text by Tiziana La Melia, published by Colour Code Printing
2014  Untitled (2014), TPW Silver Editions (with Moyra Davey and Public Studio)
2013  33 Circles, Mossless Magazine
2013  Untitled (Document of Untitled), Self-published


Bibliography
2020  Carlos Kong, 'In Practice: Total Disbelief', Flash Art
2020  Magdalyn Asimakis, 'Laurie Kang, Beolle', Art Papers
2020  Dan Adler, 'Laurie Kang at Oakville Galleries', Artforum
2019  Etty Yaniv, 'Formula 1: A Loud, Low Hum at Cue Art Foundation', Artspiel
2019  Thomas Micchelli, 'Escaping the Neo-Conceptualist Bubble', Hyperallergic
2018  Saelan Twerdy, 'Fascia Lines', Canadian Art
2018  Jenine Marsh, 'A Body Knots', Peripheral Review
2018  Casey Mecija, ‘A Body Knots’, CBC Arts
2018  Zeenat Nagree, ‘Critics Pick’, Artforum.com
2018  Nathalie Agonstini, ‘Four Pillars’, Anniversary Magazine
2018  Olivia Whittick, ‘Four Pillars’, The Editorial Magazine
2018  James D. Campbell, ‘Four Pillars’, Whitehot Magazine
2018  Alex Bowron, ‘How Deep is Your Love?’, Esse
2017  Brittany Sheppard, ‘In the Studio with Laurie Kang’ Canadian Art online
2017  Darby Milbrath, ‘Line Litter’, The Editorial Magazine
2017  Murray White, ‘At the galleries: of tanks, transparency and women,’ Toronto Star
2015  Shelby Fenlon, ‘Laurie Kang: Deferring Diffractions', CMagazine Issue 127
2015  Yaniya Lee, ‘Neither/Nor: Laurie Kang’s Life Fragments’, Adult Mag
2015  Alex Bowron, ‘The Contemporary Erotics of Laurie Kang’, Momus
2015  Jess Carroll, ‘In the Studio: Laurie Kang’, The Editorial Magazine
2013  Lisa Kehler, ‘All of a sudden…', Akimbo
2013  Sky Gooden, ‘The Kitchen’, Blouin Artinfo Canada
2013  Amy Fung, ‘All That Once Was Will Never Be Again’, Akimbo


Residencies
2018  Rupert Residency, Vilnius, Lithuania
2017  Aldea Residency (as selected by Curatron), Bergen, Norway
2017  BRiC: Year 2067, Banff Centre for Arts and Creativity, Banff
2016  Interstate Projects Studio Program, Brooklyn, NY
2014  Amia Prize Residency with Elad Lassry, The Art Gallery of Ontario,
2013  Soi Fischer Thematic Residency with Artie Vierkant, Toronto Island
2010  Sparkbox Studio, Awarded residency, Picton, Ontario, June


Awards & Grants
2017  Research and Creation Grant, Canada Council for the Arts
2016  Visual Artists Project Grant, Canada Council for the Arts
2016  Emerging Artist Grant, Ontario Arts Council
2015  Travel Grant, Canada Council for the Arts
2015  Artist Prize Finalist, The Toronto Friends of Visual Artists
2013  Emerging Visual Artist Grant, Toronto Arts Council
2012  Duke and Duchess of York Prize in Photography, Canada Council for the Arts
2012  Visual Artists Project Grant, Canada Council for the Arts
2012  Emerging Artist Grant, Ontario Arts Council
2012  Exhibition Assistance Grant, OAC
2011  Travel Grant, Canada Council for the Arts
2011  National and International Residency Grant, OAC
2011  Exhibition Assistance Grant, OAC
2010  Access and Career Development Grant, OAC


HAEAHN KWON

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HaeAhn Kwon
b. Daegu, South Korea
Lives and works in Toronto, Canada


Education
2018 MFA, University of Guelph, Guelph
2016 Graduate Program, Fine Art, University of Southern California, Los Angeles
2009 BFA, Cooper Union, New York
2007 Visiting Student Program, Columbia University, New York


Solo Exhibitions
2019 maximum suffering along the way, Franz Kaka, Toronto (as HaeAhn Paul Kwon Kajander)
2018 Get Around to How, Erin Stump Projects, Toronto
2014 What You See is What You Make, Samuso: Space for Contemporary Art, Seoul
2010 Thank You for Shopping With Us, Seoha Gallery, Seoul
2009 Put Your Foot Down+Take Your Shoes Of , the Cooper Union, New York


Select Group Exhibitions
2019 Barely Fair, Julius Caesar, Chicago (as HaeAhn Paul Kwon Kajander)
2019 Public Volumes, Small Arms Inspection Building, Mississauga (as HaeAhn Paul Kwon Kajander)
2019 Gallery Galerie Galería, Jack Barrett Gallery, New York (as HaeAhn Paul Kwon Kajander)
2018 Soft Refraction, Xspace, Toronto
2018 Lojong Exercises, Kikospace, Toronto (as HaeAhn Paul Kwon Kajander)
2018 Contribution to Courage! Near Infra Red, Rinomina Gallery, Paris
2018 The World According to Generalized Axiom of Revealed Preference, Franz Kaka, Toronto
2018 Wild Inside, Clint Roenisch Gallery, Toronto
2018 Matters in the End, Support Gallery, London, Ontario
2018 Casualize, 10 Carden, Guelph
2017 Accident of Being Together, Boarding House Gallery, Guelph
2017 Yes Frills, Erin Stump Projects, Toronto
2017 What Can the Object Do?, The Hand, New York
2016 Prattle Combat, Boarding House Gallery, Guelph
2016 Pleasure Faire, (organized by Brian Mann), Michael Benevento, Los Angeles
2016 Contribution to Rican/Struction, Agustina Ferreyra Gallery, San Juan
2015 The Transfiguration of the Commonplace, Sempio Space, Icheon-si
2014 Bruce Says, Okin Theater, Seoul
2013 Turn Inside Out, Next Door Gallery, Seoul
2010 Slow Flow, HanByukOne Gallery, Seoul
2009 Rotating Show, Joyce Goldstein Gallery, Chatham
2009 To Make a Cake May Take Years To Bake, Bushwick Open Studio, New York


Curatorial Projects
2014 Live In the Lobby, Art Sonje Center, Seoul


Writing
2014 What You See Is What You Make, Exhibition catalog


Press
2019 Ben Shannon, ‘In Conversation’, www.residenceeditions.co
2019 Laura Demers, ‘Makeshift privacy and pissing bodies: in conversation with HaeAhn Kwon’, www.thisispublicparking.com
2017 Linnea West, ‘Phone Tag: Interview with HaeAhn Kwon’, linneawest.com


Awards & Residencies
2018 Master of Fine Arts Scholarship, Canadian Federation of University Women
2016 Toni Sherman Graduate Scholarship, University of Guelph
2016 Margaret Priest Graduate Scholarship, University of Guelph
2016 International Graduate Student Scholarship, University of Guelph
2016 Graduate Travel, Research and Creation Fund, University of Guelph
2015 International Artist Fellowship, Office of the Provost, USC
2014 Seoul Foundation for Art & Culture Grant: Visual Artist
2012 Cheongju Artist Residency, Cheongju, Korea
2009 The Sarah Cooper Hewitt Fund Prize for Excellence in Art


Artist Talks & Workshops
2014 “What You Believe Is What You Say”, Artist Talk with Paul Kajander and Jung-hyun Kim, Art Sonje Center


HAEAHN PAUL KWON KAJANDER

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HaeAhn Paul Kwon Kajander
b. Daegu, South Korea & Vancouver, Canada
Lives and works in Toronto, Canada


Solo Exhibitions
2019 maximum suffering along the way, Franz Kaka, Toronto (as HaeAhn Paul Kwon Kajander)
2019 Public Volumes, Small Arms Inspection Building, Mississauga (as HaeAhn Paul Kwon Kajander)


Select Group Exhibitions
2019 Barely Fair, Julius Caesar, Chicago (as HaeAhn Paul Kwon Kajander)
2019 Gallery Galerie Galería, Jack Barrett Gallery, New York (as HaeAhn Paul Kwon Kajander)
2018 Lojong Exercises, Kikospace, Toronto (as HaeAhn Paul Kwon Kajander)


ANNE LOW

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Anne Low
b. Stratford, Canada
Lives and works in Montreal, Canada


Solo & Two Person Exhibitions
2020 Figure Like Hearse, Southern Alberta Art Gallery, Lethbridge
2019 Chair for a woman, Contemporary Art Gallery, Vancouver
2019 Bletting, Franz Kaka, Toronto
2018 A Fine Thread of Deviation (collaboration with Evan Calder Williams) & Paperstainer, Mercer Union, Toronto
2018 A wall as a table with candlestick legs, Tensta konsthal, Stockholm
2017 Witch with Comb, Artspeak, Vancouver
2012 Some Rugs and Blankets, The Taut and the Tame, Berlin
2012 Weavings, Belvedere Project Space, Vancouver
2008 Women's Assembly: Two Scenes from a Radio Play, Hex Projects, London
2007 A Listening of the 1981 Recording Of Glenn Gould’s Bach’s Goldberg Variations
2007 Temporary Measures, Associates Gallery, London


Group Exhibitions
2020 La machine qui enseignait des airs aux oiseaux, Musée d’art contemporain de Montréal
2019 Sobey Art Award, Art Gallery of Alberta, Edmonton
2019 Art Encounters Biennial, Timișoara, Romania
2018 Soon enough – Art in action, Tensta konsthall, Stockholm
2018 Standard Incomparable, organized by Helen Mirra, Large Glass, London
2018 Giles Round: The Director, Hepworth Wakefield, Wakefield
2018 Chance Enoucnters IV: Andrea Büttner, Ian Godfrey, Anne Low, Loewe Foundation, Miami
2017 Loewe Craft Prize, La Fundación Arquitectura COAM, Madrid; Chamber Gallery, New York; 21_21 Museum, Tokyo
2017 Dream Islands, Nanaimo Art Gallery
2017 Separation Penetrates, Mercer Union, Toronto
2017 Standard Incomparable, organized by Helen Mirra, Kunst Meran/ Merano Arte, Italy
2017 Clive Hodgson & Anne Low, The Block, London
2017 Soot, Unit 17, Vancouver
2016 Vancouver Special: Ambivalent Pleasures, Vancouver Art Gallery
2016 Artist-curated exhibition as part of Lucy Raven, Serpentine Galleries, London
2016 Standard Incomparable, organized by Helen Mirra, Armory Center for the Arts, Pasadena, CA
2015 Reading the Line, The Western Front, Vancouver
2015 The Grantchester Pottery Paints the Stage, Jerwood Visual Arts, London
2013 The Grantchester Pottery, ARTIST DECORATORS, Institute of Contemporary Arts, London
2013 The Grantchester Pottery, Studio Wares, David Dale Gallery, Glasgow
2011 Ron Tran: It knows not what it is, Charles H. Scott Gallery, Vancouver
2008 The Hex: A Retrospective, Limoncello Gallery, London
2007 Los Vinilos, El Basilisco, Buenos Aires
2003 On Location, Belkin Satellite, Vancouver


Collaborative Projects
2019 The Fine Thread of Deviation, in collaboration with Evan Calder Williams, 49th Berlinale Forum Expanded, Arsenal – Institut für Film und Videokunst e.V., Berlin
2017 Elaine in collaboration with Derya Akay, AKA artist run, Saskatoon
2017 Elaine in collaboration with Derya Akay, as part of Ambivalent Pleasures, Vancouver Art Gallery
2016 Kitchen Midden in collaboration with Gareth Moore, Griffin Art Projects, Vancouver
2016 Elaine in collaboration with Derya Akay, Haunt, Vancouver
2016 A Fine Thread of Deviation in collaboration with Evan Calder Williams, ISSUE Project Room, New York


Press
2019 Jonathan Foyle, 'Fruits of the loom: Anne Low’s woven sculptures using historic weaving methods', Financial Times, September 23, 2019
2019 Caitlin Chaisson, ‘Anne Low: Chair for a woman’, C Magazine, Issue 142
2019 Esmé Hogeveen, ‘Anne Low, Franz Kaka, Toronto’, Critic’s Picks, Artforum.com
2019 Alison Sinkewicz, ‘Anne Low’s Chair for a woman, Vancouver’, Nuvo, 21 January
2017 Maria Lind, ‘Looms Everywhere’, Art Review, October
2015 Kelsey Klassen, ‘On the Western Front’, Westender, 25 March
2015 Jessica Lack, ‘Mashed up Moderns’, World of Interiors, March
2015 Kathy Noble, The Grantchester Pottery Paints the Stage, Jerwood Space, London
2013 Kerri Reid, ‘Interview with Anne Low’, Millions Magazine, Issue 3
2012 Rodney LaTourelle, ‘Anne Low at the Taut and Tame in Berlin’, Akimbo.ca, 11 December


Writing
2016 Anne Low, ‘Tromp as writ’ in ‘Stuff’, ti-TCR published by The Capilano Review
2016 Anne Low, ‘Liz Magor’, Framework, Susan Hobbs Gallery
2011 Anne Low, ‘Joyce Wieland: Reason Over Passion’, The Complete Works of Joyce Wieland, Canadian Filmmakers Distribution Centre, Toronto
2011 Anne Low, ‘Joyce Wieland: Pierre Vallieres’, Lux Journal, Spring
2008 Anne Low, ‘Otherwise Unexplained Fires: The Films of Joyce Wieland, C Magazine, Fall


Residencies
2018 Tensta konsthall, Stockholm
2016 Research Residency, Malaspina Printmakers, Vancouver