HaeAhn Paul Kwon Kajander

Exhibitions
The Shape of a City
January 9 - February 8, 2025

in it (solo)
October 18 - November 16, 2024

Trip Like I Do
January 21 - February 19, 2022

Maximum suffering along the way (solo)
September 7 - September 28, 2019


Fairs
Art Toronto
October 24 - 27, 2024

NADA New York
May 2 - 5, 2024

Art Toronto
October 27 - 30, 2022

Papier
August 26 - 28, 2022

Papier
June 1 - June 21, 2020

Art Toronto
October 25 - October 27, 2019

in it, 2024, installation view, Franz Kaka, Toronto, CA



in it, 2024, installation view, Franz Kaka, Toronto, CA



Shaped Clippings, 2024, cistern, silicone, 0.9% sodium chloride intravenous fluid and electrolyte replenishment solution, micro water pump, mother of pearl, prop newspaper, dimensions variable



Question of Pressure, 2024, Wood, pigmented natural lacquer, linen, ash powde, 8.5 x 12.5 x 8.5 in (21.59 x 31.75 x 21.59 cm)



what’s lost in speed, 2024, found metal bin, natural lacquer, duck egg shells, 9.3  x 9.9 x 6 in (23.5 x 25.1 x 15.2 cm)



root of dot dot dot, 2024, IV pole, wood, 0.9% sodium chloride intravenous fluid and electrolyte replenishment solution, aluminum foil, inkjet print on dibond, natural lacquer, 61 x 24 x 24 in (154.9 x 61 x 61 cm)



Duty, 2024, welded zinc, 20.1 x 27. 9 x 2 in  (51.1 x 70.8 x 5.1 cm)



Income Outcome, 2024, brass, pigmented natural lacquer, steel mesh, 21.6 x 7.8 x 0.75 in (55.1 x 19.8 x 1.9 cm)



Income Outcome, 2024, brass, pigmented natural lacquer, steel mesh, 21.6 x 7.8 x 0.75 in (55.1 x 19.8 x 1.9 cm)



in it, 2024, installation view, Franz Kaka, Toronto, CA



Careful Technique of Self-Destruction, 2024, natural lacquer, sawdust, mother of pearl, fish glue on wood panel, 16.1 x 20.9 in (41 x 53 cm)



fire with fire behind bars, 2023, natural lacquer on hemp cloth, 31 x 21 x 1.5 in (81 x 64 x 4 cm)



Pour it on the head, ends up on the heels (detail), 2020, mixed media, dimensions variable



DMZ Exhibition: Checkpoint, 2023, installation view, DMZ, Paju, KR



Checkpoint, 2023, exhibition view, DMZ, Paju, KR



Crushed as Rust (Sewer), 2023, Natural lacquer (ottchil) with structural colour pigment, pounded aluminum, aluminum frame, 12 x 12 x 1.5 in (30 x 30 x 4 cm)



DMZ Exhibition: Checkpoint, 2023, installation view,  DMZ, Paju, KR



Under the Tongue, 2023, charcoal, found cigarette butts, 13.7 x 19.6 x 17.3 in (35 x 50 x 44 cm)



One’s Body, 2022, natural lacquer with pigments and structural colour and mother of pearl on salvaged plywood, 12.5 x 12.5 x 1 in (31.8 x 31.8 x 2.5 cm)



Ghost Skinship (Eileen), 2021, marine plywood, pure natural lacquer, metallic natural lacquer, abalone, mother of pearl, scrap metal, foil wrappers, 11.3 x 8 x 0.5 in (28.7 x 20.3 x 1.3 cm)



Getting Into Getting Out, 2020, mixed media, 9 x 8.5 x 0.25 in (22.86 x 21.59 x 0.6 cm)



what’s going down keeps coming through, 2020, mixed media, 12 x 10.25 x 1.5 in (30.5 x 26 x 3.8 cm)



For Other Fears, 2019, Lacquer, glutinous rice powder, textiles, ash powder, 40 x 16 in (101.6 x 40.6 cm)



For Other Fears, 2019, Lacquer, glutinous rice powder, textiles, ash powder, 40 x 16 in (101.6 x 40.6 cm)



Maximum suffering along the way, 2022, installation view, Franz Kaka, Toronto, CA



Scab Brick with Excavator Inlay, 2019, Lacquer, glutinous rice powder, textiles, ash powder, shell inlays, steel, printed matter, business cards, 12 x 10 x 22 in (30.5 x 25.4 x 55.9 cm)



Every Day Had a Day in Its Way, 2019, Public Volumes, Small Arms Inspection building, Mississauga, CA



Every Day Had a Day in Its Way, 2019, Public Volumes, Small Arms Inspection building, Mississauga, CA



Every Day Had a Day in Its Way, 2019, Public Volumes, Small Arms Inspection building, Mississauga, CA



Every Day Had a Day in Its Way, 2019, Public Volumes, Small Arms Inspection building, Mississauga, CA



Every Day Had a Day in Its Way, 2019, Public Volumes, Small Arms Inspection building, Mississauga, CA



Every Day Had a Day in Its Way, 2019, Public Volumes, Small Arms Inspection building, Mississauga, CA